Sadie Chandler C.V. |
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1995-1996 |
M.V.A., Sydney College of the Arts, University of Sydney |
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Exchange Program, M.A., U.C.L.A., Los Angeles |
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1989-1990 |
Graduate Diploma, Fine Art, Victorian College of the Arts, Melbourne |
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1984-1986 |
Bachelor of Fine Art, Phillip Institute of Technology, Melbourne |
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Selected Solo Exhibitions
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2010 |
Numbers - Paintings and Wallpaper, Charles Nodrum Gallery, Melbourne |
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Portraits and Potions, Lincoln Hotel, Melbourne |
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2007 |
Wallpaper, Astral Ave, Melbourne |
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2006 |
Wallpaper and Spray Paintings, Charles Nodrum Gallery, Melbourne |
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2005 |
Cars, Charles Nodrum Gallery, Melbourne |
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Nirvana Office, Artspace, Sydney |
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2004 |
Astral Travelling, Briefcase, Sydney |
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Bloom, MOP Projects, Sydney |
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2003 |
Sleeping For 100 or 1000 Years: Animations and Other Work, Charles Nodrum Gallery, Melbourne |
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Bodywork, The Studio, Sydney Opera House |
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2001 |
Portraits, Charles Nodrum Gallery, Melbourne |
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2000 |
Paintings, Annandale Galleries, Sydney; Briefcase, Sydney |
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House, Rubyayre Gallery, Sydney |
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1999 |
Paintings, 1999, Charles Nodrum Gallery, Melbourne |
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Pinups, Gallery 19, Sydney |
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Men and Women, Ivan Anthony Gallery, Auckland, New Zealand |
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1998 |
Men and Women, Galerie Y-Burg, Vriesenhuis Amerika, Amsterdam |
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Sadie Chandler, Contemporary Art Centre of South Australia, Adelaide |
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1996 |
Pendulum Gallery, Sydney |
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1995 |
Lost Portrait Collection, Basement Project, Melbourne |
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1992 |
Charles Nodrum Gallery, Melbourne |
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Selected Group Exhibitions
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2010 |
Constellations – A Large Number of Small Drawings, RMIT Gallery, Melbourne |
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2009 |
Shilo, Ian Potter Museum of Art, Melbourne University, Melbourne |
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The Wallpaper Project, curated by Simon Mee, USQ |
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Soft Sculpture, Australian National Gallery, Canberra |
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I Walk the Line – New Australian Drawing, Museum of Contemporary Art, Sydney |
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2007 |
Living Elvis, RMIT Gallery, Melbourne |
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Abstraction 6, Charles Nodrum Gallery |
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Snap Freeze, Tarrawarra, Museum of Art |
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2006 |
Supercharged, touring exhibition, Regional galleries including 24 hour Art, Darwin, La Trobe Regional Gallery |
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2005 |
Wallflowers, Canberra Contemporary Art Space |
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Seven Beauties, Tin Sheds Gallery, Sydney |
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Horsepower, Liverpool Regional Museum, NSW |
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2004 |
Art digital Video, Big Sky Mind, Quzon City, Philippines |
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Imaging the Apple, Ballarat Fine Art Gallery, Vic, Plimsoll Gallery, Tasmania, |
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2003 |
Prague Biennale; Virtual Perception, curator Laurence Dreyfus Art Digital DVD, Prague |
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New York Calling, PS1 Contemporary Art Space, New York |
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Art and About, Public Art Project, City of Sydney |
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Scratch the Surface, Canberra Contemporary Art Space, Canberra |
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The Shangri-la Collective, Artspace, Sydney |
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2002 |
Wall Flowers, Front Room, Sydney |
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Sadie Chandler, Annandale Galleries |
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Flash Festival, Art Digital Video, curator Laurence Dreyfus, Centre Georges Pompidou, Paris, |
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2000 |
Contemporary Art Prize, Geelong Art Gallery, Geelong |
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1999 |
Passive, South, Sydney; Gallery 19, Sydney |
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1997 |
Moet and Chandon Touring Exhibition, Queensland Art Gallery, National Gallery of Victoria, Art Gallery of NSW |
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1996 |
Recent Acquisitions of Contemporary Art, National Gallery of Victoria, Melbourne |
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1995 |
Winterhouse, Centre for Contemporary Photography, Melbourne |
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Aesthetic Illusions, Sherman Hargraves, Sydney |
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Decadence, 200 Gertrude St, Melbourne |
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1994 |
Primavera, Museum of Contemporary Art, Sydney |
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The Aberrant Object: Women, Dada and Surrealism, Museum of Modern Art at Heide, Melbourne |
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1993 |
Deliquescence, Canberra Contemporary Art Space, Canberra, 200 Gertrude Street, Melbourne |
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1990 |
Tell Them It Was Wonderful, Ian Potter Gallery, University of Melbourne |
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Bibliography / Publications
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2009 |
Christine Morrow, I Walk the Line – New Australian Drawing, catalogue, Museum of Contemporary Art, Sydney |
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Soft Sculpture, catalogue, National Gallery of Australia |
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2008 |
Clinch / Cross / Cut - Team 404 & John Armleder - New Jersey, Basel |
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2007 |
Snap Freeze, Tarrawarra, Museum of Art |
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Abstraction 6, Charles Nodrum,Charles Nodrum Gallery |
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Down the End of Swanston St, the Art Break Hotel, Steve Waldon, The Age August 18, p.7 |
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Suzanne Davies & Peter Barnes, ‘Living Elvis’, RMIT Gallery, Melbourne, 2007 |
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2006 |
Artspace Projects, essay Adam Geczy, The Theatre of Innocence Sadie Chandler’s Nirvana Office, Artspace, Sydney |
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Supercharged, catalogue, Vanessa McRae, IMA, Brisbane |
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Wallpaper and Spray Paintings, Jane O’Neil, catalogue essy, Charles Nodrum Gallery |
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2005 |
Horsepower. The History of Warwick Farm, catalogue, produced by Casula Powerhouse Arts Centre |
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Adam Geczy, Critical Mass, p. 272, Art and Australia, summer 2005 |
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2004 |
Imaging the Apple, John Neeson ISBN 187 6851 120 |
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2003 |
Art Digital Video, catalogue, Laurence Dreyfus, AFAA, Paris |
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Blaze, catalogue, Contemorary Art Centre of South Australia |
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Scratch the Surface, catalogue, Canberra Contemporary Art Space |
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One Too Many Rivals On This Patch, Bruce James, Sydney Morning Herald 28.2.03 p. 16 |
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2002 |
Sadie Chandler Paintings 1998 - 2002, Bellavista Books, Sydney |
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2000 |
Paintings, catalogue, Annandale Galleries, Sydney |
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1999 |
One Color Suits All, Bruce James, Sydney Morning Herald, 14.8.99 |
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1998 |
Sadie Chandler, catalogue, Contemporary Art Centre of South Australia |
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1997 |
Moet and Chandon Touring Exhibition, catalogue |
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1995 |
Natalie King, The White Cube Black Hole Project; Eyeline, #29 Summer 1995 |
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1994 |
Ben Curnow, The Museum as Generic Site for Art, Broadsheet #23; |
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Primavera, catalogue, Museum of Contemporary Art, Sydney |
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The Aberrant Object: Women, Dada and Surrealism, catalogue, Museum of Modern Art at Heide, Melbourne |
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1992 |
Peter Hennessey, Deliquescence, catalogue, Melbourne |
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1990 |
Tell Them It Was Wonderful, catalogue, Melbourne University Press. |
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Collections |
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Australian National Gallery, Canberra, National Gallery of Victoria, Latrobe University, Art Bank Australia,Queensland University, Monash University, Ipswich Regional Gallery, Melbourne University, National Australia Bank. |
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